A surreal image of a white spiral staircase reaching into a blue sky with a singular bulbous cloud acting as a mock flame rising from the staircase.
In darkness, a vending machine is central, illuminated from within, shedding light onto the subject who is digging in their purse. A street light watches from the upper right hand corner, illuminating nothing.
Resting between rectangle patches of light and darkness from the grate above, a cigarette soaks in pitch black water. It straddles two rows of reflections, resting among the refuse. The black and white photo is framed by the grate above.
Silver horizontal slashes cross the image in regular increasing intervals. At the top there is nothing but gritty darkness between them. In the lower two-thirds, yellow splotches and speckled brown and yellow color bands fill in the space.
A series of vertical concrete slabs on the outside of a building. The image is black and white, and has a zigzag pattern perfectly diagonally across the image, where the other half is a bright blank sky.
Rows of wire fencing are rolled in on itself forming arches from many triangles. High contrast image where tops of the wire are reflecting light off their gritty metallic matte semi-matte surface, and the opposite sides are shown in darkness.
Angular section of a roof, of a completely preserved siding of a previous house preserved in an existing building. This is a Hyperart Thomasson ( 超芸術トマソン) as described by 赤瀬川 原平, Akasegawa Genpei) AKA 赤瀬川 克彦, Akasegawa Katsuhiko.
Inky blackness, bright green foliage and blue sky each take a third of the background with overlapping bokeh. Parallel rusted barbed wires cut the image, and arching through the center is concertina wire, with one edge of the blade glinting gold.
Abstract representation of a staircase set against the sky. Clouds fill the sky except a thin strip which makes the scene resemble a blue brazier.
Sliver of the side of a park bench is seen from an angle. Snow melting all around it has revealed it after a long winter under four feet of snow.
From the top right to bottom left side of the image spans a row of townhouses whose stucco exteriors are painted in a variety of warm colors. The other half of the image is a bright blue sky with wispy clouds.
From the water soaked edge of concrete, a city street materializes in a puddle. The edge of the puddle mirrors a tree with its leaves coming down. A stoplight arches through the frame red light requesting a pause to the car on the street.
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